
- 1957 (MCMLVII)
- Living
- Belgian
- W.<B.D.T., Mustang (Wild and Lethal Trash), Walter Van Beirendonck
- •Antwerp Six (1981)
- •Saturated colour and graphic prints
- •Provocation and cartoon
- •Menswear at the edge
Walter Van Beirendonck
The Antwerp Six member who chose colour, sex, and cartoon when his classmates chose black — and who has, for forty years, held the most deliberately provocative independent menswear label in Europe.
Walter Van Beirendonck was born in 1957 in Brecht, Belgium, and enrolled at the Royal Academy of Fine Arts in Antwerp in 1975. He graduated in 1980 — a year before the other Antwerp Six members, though he is conventionally grouped with them. He launched his W.<B.D.T. label in 1983 and added, through the 1990s, the Wild and Lethal Trash line (known as W.<L.T.), which ran from 1993 to 1999 as a collaboration with the Mustang Jeans group.
The Vocabulary
Where the other Antwerp Six graduates worked in neutrals and deconstruction, Van Beirendonck built his vocabulary from saturated cartoon colour, graphic prints, masks, inflatable accessories, and a catalogue of queer, utopian, and sometimes unsettling imagery drawn from comics, science fiction, and pornography. His catwalks have included performers dressed as teddy bears, latex sex masks, prosthetic muscles, and full-body digital prints. The work sits at the edge of fashion and performance art.
Clothes should make you feel something. If they don't, they are only laundry. — Walter Van Beirendonck
The Academy
Van Beirendonck has, since 1985, taught at the Royal Academy of Fine Arts in Antwerp, where he has been head of fashion since 2006. He is responsible — as teacher or mentor — for the formal training of Raf Simons, Bruno Pieters, Kris Van Assche, Tim Van Steenbergen, Haider Ackermann, and Glenn Martens. His pedagogical contribution to European fashion, considered as a generational fact, has been roughly as significant as his design output.
He continues to present collections in Paris and to teach in Antwerp. He is sixty-seven at the time of writing.
Related Dispatches
Streetwear: How a New York Skate Shop Conquered Paris Fashion
A graphic tee from Lafayette Street, a hoodie from Harajuku, a sneaker drop announced on Instagram. The forty-year migration of skate-and-hip-hop dressing from subculture to luxury runway.
Minimalism: Why 1990s Restraint Still Defines Luxury Today
A bias-cut slip in undyed silk, a sleeveless shift in undyed wool, a bag with no logo at all. The decade that decided that subtraction was a luxury proposition — and was right.
Grunge: The Collection That Got Marc Jacobs Fired in 1992
A flannel shirt from a thrift shop, a slip dress over a Tee, a pair of Doc Martens. The Seattle-imported anti-glamour that ended one designer’s job at Perry Ellis and reordered fashion for a decade.